Tuesday, September 23, 2014

Walking Home: A Vision

It has rained
and the tail of the storm now wanders passed us,
headed south.
It drags along the face of our mountains,
veiling them in misty glory,
while the sun ignites the frayed clouds into
white, white, white
against patches of infinite blue sky.
The sidewalks are wet but the roads are dry.
And I am small,
struggling to comprehend the magnitude of the atmosphere
that dips in and out of my lungs,
astonished at the joy of light and rock that
defies a dead, brown winter.
Still,
my young back is bent
with an aged worry
for new life.
And tomorrow trudges on,
with regrets and small victories,
while the fragile future
waits,
hungry for dreams.
But I will claim this as my vision.
I was formed of sunshine, blood, and water
just to witness
the departure of this storm.
Like the scrub oak on the slopes,
I am alive today
and daily,

eating manna from the hand of God.

The Race That Writes for Itself

Stephen Dedalus does not believe in God. And why not?
The priests are not God, the church is not God. So obvious . . .
So incredibly obvious.


What else is there to write about
But God or the world without one?
The mountains look grand but not sublime this morning,
Not as they looked at first.
The car winding through the mountains in the summer, climbing,
Minute by minute, to some peak,
While the innumerable host of evergreens
Faces from the other side of the canyon, silent,
An army ready to march and fight for their Creator.
The newness of it stopped the movement of the lungs
But quickened the heart.
Order and chaos fighting over a mountainside
And the beauty of the sight that testifies, testifies, testifies . . .


You cannot fly on wings of art. They will melt—I know it.
There is too much life in your life to set it all aside for no answers.
There’s a better way, something more sincere even,
If that were possible.


The reading started on time but to be late wasn’t so bad,
Seeing that the first reader was only an essayist,
Her piece so long and calculated to impress.
The room is less than half full
But the seats on the edges are taken
Whether because of lazy indifference
Or because, likewise, they want the option of escape.
It must be good, the next one.
He was so trustworthy a judge—he always chose the best,
Gave the best criticism, always knew the right thing to say
About voice, or believability, or motivation.
The piece he had rejected in favor of hers
He gave a perfect score. He knew it was good;
Hers must be better.


What would she say?
I know your struggle and have shared it partly,
Or I can explain what you always knew, what I knew you knew,
What we both knew was inevitable?
Or I have spoken with God and there is no use in denying the fact?
What would she say?
Would she hide it deep within the folds of a clay-like language,
Working it into the texture, the color of her creation?
Would she make it felt, ephemeral,
Or would she pour it out of a bucket
Onto the parched, open mouths of those who listened?
O how they thirsted!


There is dead weight mixed into it with so much good.
It is weighed down by the weight of insupportable language.
She is reading and the words are thick with meaning,
Plunging the story into a lake of impressions,
The details broken into waves and ripples reflected on the moving surface of her prose.
It is beautiful. It is finite.
It is exactly what they want to hear.


They are pleased, clapping.
Some are standing in the aisle, ready to escape.
Sit down! Be quiet! Make her finish!
What did she say?
Please, please tell me what it was she said!


I am sitting in this room with a brownie in my hand, talking to no one.
I know what they are saying in groups of two and three:
It was good.
Beautiful pieces.
Aren’t you so pleased with their work?
What are your plans for the future?
The program has grown so quickly.
Yes, and her novel will be finished shortly; we have high hopes.
And I realize that I could belong.
I could join the exchange in groups of two or three.
One small step in that direction and they would recognize me
As one of them, the race that writes for itself.
But I have something to say that deep down
I know they won’t let me say;
Or if they do, they will make me say it in their language.
I feel a heaviness and a calm
In the midst of the conversation filling this room
And I stand, walk out of it unnoticed,
like a ghost,
Out into the world that will only offer me a fraction of a chance.

Green

Mrs. Jordan is afraid of her own, clawlike hand. She looks at it under the glare of the fluorescent lights and the skin is green; there is green in the skin of her hand. She watches as it attempts to lift up the pen again and she can feel each muscle moving in each finger, like a multiplicity of tiny levers being pushed and pulled beneath the skin of her hand. The pen drops again and she notes that the skin of her hand is not green but brown, the color of her desk; and her hand is the desk and the paper on it. There is no difference between the desk and her hand.

Suddenly, clarity again washes over her consciousness like cold water and she feels the pressure behind her left eye. The pressure grips her head and her eye and squeezes hard enough that her skull seems to bend. The pressure increases until she almost loses consciousness, but subsides again and she becomes aware of the drone of the lights in the otherwise silent room. Something is wrong and she is afraid. She tries to stand up from the chair she fell asleep in but the floor is suddenly in her lap and the wall is falling on her and she lands on the floor, all the weight of her body on her shoulder and arm. 

She is having a stroke. She remembers her grandfather before he died and how it always seemed to her that his scalp must be sensitive beneath his thin hair from the ravaging of the strokes on his brain5. She was always careful not to touch his head. She heard her mother describing the symptoms to her when she tended to him because she couldn’t get work off for the family vacation. This is a stroke and she needs to call someone. She should call Dave; he would answer his phone in the middle of the night and drive her to the hospital.
She pushes herself into a sitting position, her limbs stiff and remote from her like jointed stilts moving through a costume of flesh. She reaches for her jacket which hangs on the back of the chair in front of her desk. Her arms will not lift higher than her shoulder. She cannot see where the pockets begin so she pulls with her hand on the hem of the jacket until it slides off the chair onto the floor. Again, she is afraid. She cannot distinguish the sleeves from body of the jacket; she cannot find the pockets. The pressure behind her eye increases and begins to squeeze her skull.

Her leg is green again. There is green in the skin of her leg and the desks in the room are hard, so hard it hurts her jaw. The room is deep and wide and the straight rows of desks stretch on to infinity like metal pillars floating through space. Then the desks are stacked inside of each other—one desk with a hundred hard, shiny legs. Everything glares: the shining black windows, the plastic face of the clock, the smooth white walls. She is lost in the vertigo of sensation, staring at the fibers in the carpet, some green, some gray, some blue, some white.

Again the cold water on her brain. She reaches for the jacket and pulls it into her lap, rubbing it with her shaking hands. She is afraid and she cries out softly for help; but her voice is not her own. She speaks again but she knows that the words she can hear in her head are not the words that her mouth forms. Her words turn into animal sounds as she speaks and she realizes that Dave will not understand her when she calls. Tears begin to line her cheeks with thin, wet lines and the cell phone falls out of the jacket. She grasps it and picks it up but the numbers on the buttons have become meaningless lines that light up under her frantic fingers. She remembers that Dave’s phone is the speed dial under the number “1” and although she cannot tell one number from the other, she remembers the position of the key, presses, and holds. The phone begins to ring and she lifts it to her ear. Five rings she counts, then fifteen. She loses count as the squeezing returns. Her eye seems to bulge as the pressure returns and she places her hand over her eye to keep it in. She drops the phone and a dialogue begins in her head. You can’t move; is this how you will die? There are windows in the room and the blinds are up. I can wave my arms or pound the glass. There is no one outside; who will see you? I can’t die. I haven’t finished the school year yet. I am not finished living yet. You are alone. Do you want to die alone? The janitor will be here soon to unlock the school. I can hold on until the janitor comes. The janitor is not coming; he left you the key. Is this all? Is this how short your life will be? Maybe it will pass, maybe it doesn’t have to kill me. This is only a stroke. Where is Dave? Anthony? Tobias? Where is Liza? There is a fire alarm near the door. Where is Mom? There is a fire alarm near the door. Your sister? There is a fire alarm near the door.

Mrs. Jordan is crawling out from behind her desk on her hands and knees. She is dressed in a white blouse with a vest and matching slacks. Her hair is short and flat on one side. She can feel the slowness in her limbs, in the individual muscles of her arms and legs. Her vision becomes unimportant beneath the throbbing of her eye. She cannot perceive the world around her as separate from herself and she becomes a being with no edges, a creature of infinite volume. With intense concentration she communicates with her clawlike hand, raising it up and placing it down again on the carpet. Then she moves her knee. Then her other knee. She cannot move them without watching them; she cannot feel the boundaries of her body. She crawls between the desks and the carpet is vast, like an ocean she could fall into if she let herself, but she continues to monitor the movement of her muscles and her bones. There is a ball inflating behind her eye and a vice around her skull. She lifts her head, trying to judge the distance between herself and the door. She sees the door and the red square beside it but she cannot calculate the spacial relationship between herself and the door. So she counts the desks in front of her: 3. She looks down again to guide her clawlike hand.

The lights in the room are beginning to hurt her eyes. The shiny spots on the legs of the desks seem to stab her eyes and she closes them. The pain subsides and she is lost in an ocean of space where she can only feel the throbbing of her head, faintly, like the reverberation of waves underwater. She is floating, weightless through space. She could be anywhere: heaven, oblivion, the center of the earth. She opens her eyes again and the light stabs her through her eyes. Her vision begins to darken and suddenly she is aware of the beating of her heart. She loses awareness of everything else and feels only the beating of her heart. It seems to her that it is not her own, but an animal struggling in the cavity of her chest. The beating becomes louder and she knows it will engulf her soon. She is afraid to let go. Then she tells her chest to move and she senses that her lungs must have taken in air, though she can only feel the beating of her heart. She tells her chest to move again. She has never done anything so difficult as fighting her beating heart. She breaths again. And again.
She opens her eyes and guides her hands and her knees. The pain in her eyes has rendered her nearly incapable of thought and she barely recognizes the fact that there are no more desks in front of her. She moves until her head rests against the wall by the door. She looks up at the red object, placed low enough for a third grader to reach. She fumbles with the handle, then pulls down hard.

An explosion of light and sound. The lights no longer stab her eyes; instead, she sits, her back against the wall, and she is lost again in the vertigo of sensation. The bell rings incessantly and the lights flash repeatedly, like the roar of an angry crowd. But to her, it is the same as silence.

The Life of Todd

When my soul fainted within me I remembered the Lord:
And my prayer came in unto thee
Into thine holy temple.
They that observe lying vanities
Forsake their own mercy.
But I will sacrifice unto thee with the voice of thanksgiving;
I will pay that that I have vowed.
Salvation is of the Lord.
                                                                      -Jonah 2:7-9

This is how the dog died, or the way in which I found her already dead.
I knew somethin’ was wrong when I came down the stairs and she wasn’t curled up on her usual spot under the coffee table. I couldn’t see too well, because the lights were off, all except the television—I keep the television on basically all the time ‘cause it’s just me in the old house; nobody’s gonna break in if they think I’m watchin’ TV. The blinds were closed too. So I stepped down off the stairs onto that new tile floor my son, Ricky, put in with the cold goin’ right through my socks and I flipped on the light.
I thought I’d see her in my chair—she used to get in it when she was a puppy but I know how to train a labrador and she soon got better ideas and settled down under the coffee table. The television was showin’ the news so I took it off mute and watched a bit. They said that senator from Arizona was caught foolin’ around with the mexican woman that cleans his house. It never did make sense to me to live in a house that was too big to clean yourself. And that’s one way to get into trouble. That’s what politics have done to this country, makin’ sinners out of the young people. I ain’t no saint but I ain’t never been in debt to nobody and in all those forty-five years, I never cheated on Margaret but twice, at the beginning, during the war.
I crossed that ice-cold tile again to the kitchen but she wasn’t at her food bowl neither. Ricky said he’d come and take the paneling off the walls in the den and change the carpet on the stairs but after the tile, I told him I don’t need anymore white, cold, or hard in my house. Same reason I don’t plan on livin’ in a hospital.
So I checked her nest next to the washing machine—I swear she slept better than I do with all those blankets piled up. But it was good with her bein’ pregnant ‘cause she didn’t sleep very well up in the bedroom where it’s cold. It was hard for her at first to sleep downstairs all alone but I figured it was better that way ‘cause if anyone tried to break in while I was sleeping, she’d be sure to wake me from the dead with that howl. Plus, she snored like a hog.
I come in and out of the back door ‘cause it’s closer to where I park the truck; I realized I left the door open when I felt the cold air movin’ through the kitchen. Then I started cussin’ and I thought she’d prob’ly gone outside and couldn’t get back in past the screen door. But I should have known, cause it was all icy-quiet: no scratchin’ or whinin’.

There she was, lyin’ on the ice by the barbeque, her big brown eye just a marble in her head.

I didn’t think at first; I just pushed open the the screen door and stepped out onto the back porch. It was still snowin’ thick outside, with the clouds and the storm heavy everywhere. But the snow was meltin’ on her body and I knew she hadn’t been dead for long.
I bent over and ran my hand along her fur real light and whispered her name once and my eyes started waterin’ while I told her goodbye. Then I noticed that my feet were soaked and my knees were sore and I was about to go back inside to get my boots when the thought hit me square in the face: the litter might not be dead.
After that I don’t know that I thought much about what I was doin’. I tried to pick her up but even if I could bend my knees that far, I didn’t have the strength to lift her. So I pulled off my belt and I wrapped it around her neck and put it back through the buckle so that it cinched on her neck, and I started draggin’ her over the ice-covered porch to the back door.
I got her into the kitchen over next to the table and I sat down to catch my breath. Then I got an idea and I pulled her head up between my knees with the belt, after which I hauled her into my lap. I hooked my arms underneath her and pushed her onto the table.
That’s when I saw the side of her head that was crushed in. I don’t know how she got hit or why she was dodgin’ cars but I couldn’t bear to see the sight of her all mashed like that. So I grabbed half a dozen rags from below the sink and I used one to cover her head; the rest I laid out to soak up the blood. Her head wasn’t bleedin’ much—the snow took care of that—but I knew there’d be plenty of mess when I started cuttin’.
I used to help my granddad deliver calves back when I worked for him during the summers growin’ up so I got ready with my huntin’ knife and some shears. Then I opened her up and pulled the puppies out one by one, usin’ the shears to cut them off from their momma. It wasn’t pretty and the mess was awful but I got all six of ‘em in a bowl with towels. Then I rubbed them one by one with my hands until my arms gave out. When I looked up, it was dark.
The house was freezin’ by then—old windows don’t do much for keepin’ the heat in. So I got a fire going in the wood stove. I turned the blower on and set myself and the puppies down on chairs in front of it. I didn’t move for a long time; just stared at the flames, thinkin’ about the dog and the look that was gone from her eye.
Two of the puppies lived. I gave ‘em to Ricky; I know he didn’t want them but I couldn’t keep them myself. I’m too old for dogs.

Sometimes I’ll take a verse or two from the Bible and carve it into wood. I ain’t any good at poetry but I like how it looks and how it sounds when you read it out loud; I figure the best stuff came from God anyway. I read the Bible through once and now I read the good parts over and over, somethin’ every day.
The best story in the Bible is about Jonah and the whale. Far as I’m concerned, there ain’t no difference between gettin’ up-chucked by a whale and comin’ back from the dead. But I’ve been thinkin’ about it since and wonderin’ about how God sent the whale. Maybe he asked him. Maybe he starved him. I don’t know but it looks an awful lot like a hack-job to me. When Jonah jumped off that boat, did God have to improvise? Was the whale the best he had to work with? Or was that whale born in those waters knowin’ it was him that was s’posed to swallow the prophet of the Lord?

-Devon Cook

A Brushstroke

The bird did not beat its wings often now through the black night air and the girl clung to the feathers on its back to fight the dark that lulled her to sleep. There was a line she watched for, the line of land, the curve of a beach or rocks. But when the wings did beat, it was a rush and a heave that lifted her from below like the tossing of hay. She gripped again with feathers between her fingers and thought that they were not like grass but warm.

You are the last, her father said when he saved her tears in his palms. You are strong, Green Eyes. Much stronger than your old man. And he jumped off the roof to face the Antmen swarming through the fields, a flow of foreign oil, spreading like a spill over open land.

Feathers came away in her hands when the bird screamed and she grabbed the tendons that held its wings to bone and she felt the feathers peel off the bird like chaff, how they hit her in the face and arms, a hailstorm of bird-hair. And she knew then that she was found, that the bird would die, a snail in salt, from the volcanic ash they threw into the air. A torch ignited on her right, another opposite. And when she pushed off into the black night, the bird was also falling, a body inflamed and bleeding from the ash rushing over skin.

She fell and the night was not so cold. Not cold enough to kill her, nor would the ocean water take her life away. Her pursuers did not know her well: Green Eyes, a father’s daughter, a girl with a beating heart and strong arms. They did not hear her father speak with awful, earnest eyes. And she cried to think that life was not a field of weedy alfalfa, viewed from a bedroom window and ruffled under wind.

The torchlights appeared beside her, falling faster, and she watched as they streaked like shooting stars toward the black water below. She did not wait to see the lights strike surface like matches, and blanket the deep-water waves with impossible flame. Instead she swam herself upright in the air with pointed feet and crossed arms. Perhaps the flames would be too early or too late.


Too late. She fell through the inferno into water and when her lungs burned for air, the fire was gone. But she saw land as she fell, illuminated by the sea alight, waiting underneath the star she had followed. And Green Eyes, a father’s daughter, a girl with a beating heart and strong arms swam in that direction.

A Treehouse This Summer

My father always had a box of tools. I remember the first one, smooth dark-grey metal with a single metal clasp to hold it shut. It didn’t have a place for a padlock but back then he didn’t need a real toolbox because we lived in Grandpa’s house and his garage was full of tools. Often, on a quiet summer afternoon, I would slip into that garage and would walk down the steps to the workbench and put wood blocks in the heavy metal vice bolted there and test how strong its grip could be, while other days would find me sifting through some thirty tiny plastic drawers, each with a different type of bolt, nut, or screw inside, wondering what could be built with such a collection. And rare, but not enough to forget, there were times I’d pause and watch the sunlight come through a window and turn into solid rays of yellow as it cut through the dust-filled air. Then I would shiver in the dry heat, feeling a call from that creative space, and I would imagine all that I could do with a life. Some sense of purpose stirred within me, beside all those tools.
My father worked very hard, harder than most fathers. He owned a business, Computerlife Inc., which should have made him millions because he worked so hard. On Saturdays, especially during the summer, he would take me to his work in the basement of a silent building surrounded by warehouses. He would show me the tools he used to fix computer monitors: soldering iron, current meter, and more screwdrivers than I could hold in two hands. He would tell me every time, “Don’t touch the soldering iron, it’s heating up,” and I would stay close and wait to see him lift it like a metal pen in his hand. He would touch tip of the iron to the metal on a green computer board until he could mop it up with a brush like an archeologist cleaning a fossil. Then he would touch the board again with the iron and solder wire and lay a clean, silver-colored line just where it needed to be. Once, when I came close to see better, he stopped and explained that the smoke from the solder wire is poisonous and I shouldn’t get to close. He must have held his breath. Besides the soldering iron, I did not watch him work but roamed the empty corridors, imagining myself into a world far from green computer boards.
Eventually my father bought a house and we lived there instead of Grandpa’s. This house was small because my father still worked alone in that silent basement. If he had not worked alone, we might have had a larger house. There was a plywood shed behind it and my father had us help him clean it out. He bought a new tool box and many new tools for all the things he promised he would fix. My brothers and I could use the tools too, as long as we asked, and sometimes, if we were going about it all wrong, he would help us create. During the summers we made everything from spice shelves to ladders. Once, we decided to bolt a makeshift backboard to the shed and Dad surprised us by buying a rim and net to go with it. He must have been as excited as we were.
One summer brought a grand undertaking. The tree in the back by the fence split from one trunk into three at about five feet off the ground. My brother and I studied it—mainly by climbing over every inch of it—and determined that we could place a board between each of the three trunks, in shape of a triangle, on which we could build a platform. Despite our quiet proactivity, out mother began to ask what it was we meant to do with all those nails.
“We’re building a treehouse!”
She was less impressed than anticipated. “Okay,” She said drawing out the “ay” while she thought of what to say next, “You need to have your father look at it.”
After days of incessant reminding, my father walked back with us to the project. He looked at the half-finished platform for a few seconds and said, “These nails are not going to work. Neither of you are allowed to get up there until we put bolts in.”
My chest—it had been slightly swollen with pride—fell and I turned to my brother. We exchanged a familiar look of defeat; we would have to wait. My father did not compromise on these matters.
We continued to remind him, but our hope began to evaporate steadily into the dry summer air. It was my mother who pulled through in the end; she could not stand our one dimensional conversations any longer.
“Good. Now you can go pick up those bolts the boys want,” she said after he finished fixing the dishwasher.
Father had plenty of friends inside the hardware store. The owner was the bishop at the church by Grandpa’s house before we moved. He would always shake my father’s hand and ask about our family. While Dad looked for bolts my brother and I escaped to explore the endless rows of metal and plastic. I always spent paused the longest by the chains; there was something permanent about their ability to connect. This time, I imagined a prisoner bound in them and soon I was lost in a story that answered all the questions, Who?, Why? and Where?
My brother found me and told me that we were leaving.
When we arrived home, my father took us to the shed. “This is the drill bit you need and this is the long extension cord,” he said and handed one to each of us. My brother complained and tried to grab the drill from me just as I gave it a spin.
“Hey!” he shouted and jumped back.
My father snatched the drill from me. “I’ll drill the holes.”
We measured the distance between the trunks carefully and Father made marks on the bark with a pencil. My brother and I watched as he drilled, paused, and second guessed himself in smooth rotation. One after another, he bolted the boards to the tree; then his body relaxed and we knew it was safe.
He had us climb up so he could pass boards to us. We laid them down side by side across the triangle between the trunks until we could walk between all three trunks, ten feet above the ground. My father came up last with a hammer and nails, warning us as he came to stay away from the edges because the boards weren’t anchored yet.
My brother got to hammer first and I looked around our yard with the park beside it, imagining what this platform would become in the stories that filled our summer days. Suddenly, the world slowed—a hammer blow ringing long and loud in my ears. I tried to turn toward my father as the platform began to tilt but I was too slow. I watched as time doubled and one side of the platform fell, dumping my father and brother onto the ground. I slid down the boards sitting and hit the ground just before three of them fell on me.
I did not pause to worry about anyone else before running into the house, crying from shock. My mother met me in the kitchen and though she hugged me and comforted me, she did not cry. My father and brother followed in relative serenity and I stopped crying as the preceding events were analyzed in full. I talked of nothing but my slow-motion experience; it was the first time I had been in such an accident and the effects of adrenaline fascinated me. My brother remembered nothing but red—the color of my father’s shirt—while my father recounted his thoughts and mid-air maneuvers as he tried to avoid landing on my brother.
My father’s hands and forearms were cut when he braced himself against a pile of scrap metal to avoid crushing my brother beneath him. He did not heal as quickly as my brother and I did and his bandages lingered longer than the novelty of the story.
We fixed the treehouse again. Many councils, clubs, prisoners, and parties were held on that platform, ten feet above the ground. As the years passed, I found myself climbing onto that treehouse and watching the movement of the world around me. Birds built nests, lightning struck, and cool summer breezes washed over me, all from the view in the tree.
My father still has his tools and sometimes, when he gets a new one, I ask him what he’ll use it for. More than his face, the tools hold stories.

Mabuhay

Doctor Hansen watched the woman stand up and approach the receptionist. “Is there anything else I need to sign?” she said.
“No, that will be all,” Martha answered, without looking up, “Take a seat and the doctor will be with you in a moment.”
He approached the desk and skimmed her forms. The white walls and hard blue carpet echoed back the clicking as Martha typed. At the edge of his vision the woman shivered, looked up at the vent above her, then moved to a different chair, the fashion magazine still in her hand. She was Asian, perhaps even Filipino, though like most of his patients, she communicated an excess in time and money when she moved, even in her finger flipping a page.
“Victoria Fairhill?” he said, looking over his glasses.
Her jewelry swayed in counter swing with her stride as she walked towards him and when she rested her forearms on the counter top he noticed the word Mabuhay, each letter written on a separate tiny wooden block, strung together on her wrist as a bracelet. He knew what it meant---welcome, or more accurately, live long. He had last seen the word at the city limits of Concepcion on a metal arch over the road. They had been leaving then, and he had looked out the back window of the Jeep at the arch, feeling some first pangs of irony, thinking that he could now understand what the word meant.
He had wondered then if he would ever return. There was another feeling tied with that image, something he couldn’t quite explain, something buried under years of tongue depressors and, later, blood.
He shook his head. “If you’ll come with me, we can start your prepping.”
She nodded and they turned down the short hallway toward the room at the end which was clean and organized. She sat on the white table while he faced her on a stool and they went over the procedure again.
“Do you have any questions?” he offered in conclusion.
“No.”
“Sige.”
Her eyebrow raised and he realized his mistake. “I’m sorry,” he said with a sigh, “Sige means okay or alright in the Philippines. You look like . . .”
“My father was born there,” she interrupted, “but I’ve never been.”
“Well I spent some time there as a boy after the war.”
She seemed uncomfortable and he quickly changed the subject, calling in Stacey with a gown so she could change. He left the room and found the sink one door over. He adjusted his glasses and spread soap over his hands, thinking that he probably had ten more years before his hands would fail him, as his eyes had already done.
Her face stayed in his mind, shifting into faces more familiar. He could feel the heat of that first summer in the Philippines, when the air felt like hot breath and he sat under the bamboo on a plastic chair and sweated in the shade. But that had been far away from his family’s  bungalow in the town proper, where giant gates set in giant walls protected the riches of the rich. He preferred the barrio and the rice fields laid out in green squares from horizon to horizon, looking like he could run across them barefoot all the way to the end of the world.
At first the children—to him they had all seemed like children, though some were teenagers like himself—had gathered around him for hours, pointing at his white skin, laughing at his accent, pulling his light brown hair and asking him for chocolates in broken English. Their fascination waned, however, after a couple weeks of visits and no chocolates; they left him to his musings beneath the green bamboo.
One day, shortly after he started bringing books to read, someone joined him in the shade. A man of about forty-five years smiled at him with two teeth and said, “You are American, yes?”
“Yes sir.”
His smile seemed to widen, if it were possible, and he nodded and spoke again, “My name is Lito Arsiga. What is your name?”
“Chuck Hansen,” he replied.
“Chak?” It sounded different when he said it.

His hands were raw by now from too much scrubbing. He grimaced and quickly rinsed, paused, and then removed his glasses to splash his face. After drying off, he returned to the room at the end of the hall, knocking as he entered.
He opened the door quickly and in the half second before she could react, he saw her standing by the window in the white medical gown, staring at something in the distance with her brow wrinkled and her lip between her teeth. At the sound of the door, her face returned quickly to smooth confidence though something lingered in her eyes, and he thought she would have asked him a question had he waited for just a moment.
He did not wait but ushered her to the white table and had her lay down. They exchanged polite conversation about her parents and her early upbringing in Los Angeles. He did not ask her about her own family, though she told him her husband was a professor at the university, his second guess after corporate lawyer. She became quiet after the sedative took effect and he started with the smallest dilator, checking and double checking his procedure and time-frame though he had never once made a mistake. He flipped on the television above her and quietly exited the room.
He would have checked with Stacey but she knew the procedure and entered the room right as he left it. He stepped into his office and could hear Martha on the phone until he shut the door behind him. Florescent lights above him made the walls too white and he collapsed into his chair, removed his glasses and rubbed his eyes. The hum of the computer filled his ears until he thought he heard in it the sound of muffled rain on the roof. In the Philippines rain would fall so thick and large that to walk out in it was like jumping in a swimming pool with your clothes on. He had discovered this early on, and often ran out into the street just to feel his clothes saturate and to watch the gutters overflow. Within minutes the street would flood and he would see people wading home with their wet tsinelas slapping against their feet. After he could understand the language, he would hear people worrying about his health as they passed.
“Look at that American standing in the rain with no umbrella. He’ll have a cough by tomorrow.”
“Where is his mother? He’s been completely ignored.”
“He must like the rain, no? He looks happy when he’s wet.”
Sometimes he would hear children wanting to join him as they were quickly pulled to safety under some tin roof.
Only once did he ever visit the barrio deliberately in the rain.
That morning had been unbearably hot. He woke up with his sheets plastered to his bare chest and sweaty back and although he showered first thing, his clothes were stuck to him within the next hour. His tutor didn’t show so he tried to read but his fingers made wet marks in the pages; never before had it been too hot for him to read. He ended up sitting directly in front of the electric fan in his parents room, listening to the radio and trying to pick out words that he knew.
At noon his mother found him and fed him lunch: sandwiches and fresh pineapple. The chance for fresh pineapple would have made enduring the heat worth it but by then heat had been replaced by clouds that formed in giant thunderheads above them. His visit to the barrio would have to be postponed. Or would it? He realized he had never seen the rice fields in the rain and something told him that if he went, he would not be disappointed.
He decided to walk because his bicycle would be useless in the mud. Just as he left the main road, he heard the sound of millions of water drops rushing toward him over tin roofs and suddenly the rain was upon him. He passed no one as he walked and he kept his eyes fixed on the muddy road; he did not want to see the fields yet. When he reached the bamboo stand, he looked up and out slowly, watching the wind made alive by the green rice stalks swaying in unison. The rain fell strong and he felt like he might be stranded in a boat on a vast green sea.
“Chak!”
He turned at the shout and saw Lito standing in the road holding a banana leaf over his head as a makeshift umbrella.
“You are getting wet,” he yelled in Kapampangan, “Let’s eat.”
Chuck smiled. Lito was always doing this. He ran over to him yelling back as he went, “I’m fine, I’m fine. Don’t worry, I’m waterproof.”
Lito laughed and tried to give him the leaf as they walked toward his house, which was only a room with a roof. Chuck had been there many times since the day they met underneath the bamboo. As they approached, Sia and Kokoy ran out to meet them, laughing and chattering on about how wet he was and how they had sent their father to get him when they had seen him standing in the rain.  He would have refused dinner, but the rain on the tin roof was so loud that he could only be heard by shouting and even then, Josi, Lito’s wife, pretended not to hear him.
After a dinner of vegetables and rice, Josi sent them out to the kubo while she cleaned up and put the kids to bed. The kubo was made out of a bamboo frame with a grass roof. It was quiet there and Lito sat with one knee against his chest and the other dangling off the bamboo bench. He offered a cigarette, which Chuck refused.
“Is it ok?” he asked, holding up one for himself.
“Sure.” They spoke almost completely in Kapampangan now though Chuck could speak far less than he understood. “The rain is strong over the rice fields.”
“That’s true, Chak,” Lito said and smiled.
The little houses of the barrio lined the road, making yellow squares with their windows against the wet dark; their tin roofs hummed beneath the rain.
“How long will it go on?”
“I don’t know.” he said, still smiling.
Chuck took the smile as a challenge. “What if it floods and destroys all the houses?” he said, pointing at the yellow squares with his lips.
“Then we will build them again,” Lito said.
“What if you have nothing left to build with?”
He paused. “Then I will find some bamboo and make another kubo to keep my family from the rain.”
“What if the flood takes your family?” Chuck said, and regretted it.
Lito’s smile left and tears began to bud under his eyes. “Then maybe that is what God wants.”
Stacey’s knock pierced the silence of the office: time for the next dilator. He rose quickly and walked with her to the room at the end of the hall. Once inside, he put on a new pair of gloves and asked his patient how she felt.
“I’m fine,” she said with a vacant smile.
The sedative was obviously still in effect but he double checked her dosage with Stacey anyway, then moved on to the now-swollen dilator, which he removed carefully and replaced with the new one.
“Is this station okay?”he said, picking up the remote.
“Yeah.”
“If you need anything just call, alright?”
“Okay.”
Before he shut the door, he saw her face turned up toward the television as she stared right through it, her eyes glazed over as if they had seen something horrific and unforgettable and she had stopped thinking altogether.
He couldn’t return to his office right now.
“Stacey,” he called on his way out, “could you watch Mrs. Fairhill closely, and call me if she needs anything? I’ll be back in a few minutes.”
He was gone before she could reply, and he stepped quickly into the parking lot. Maybe a cold soda would calm his nerves.
A couple seconds after placing it in the cup-holder of his car, his cellphone vibrated loud against the plastic. It was a text message about his cellphone bill; he deleted it and would have driven off if the background on his phone had not been changed. There, waving at him out of the screen was his twelve-year-old daughter, Katie, in her pajamas. She must have taken the picture and set it as his background while he was getting ready for work this morning. He stared hard for almost a minute and then he began to shake, starting in his chest and moving outward to his extremities. He dropped his phone and gripped the steering wheel in front of him for support but his muscles continued to vibrate and his teeth began to chatter. He shook and his mind strained behind his eyes like grinding gears. Finally, he collapsed in exhaustion, his heart beating in his ears.
His office building hid the setting sun but he could see clearly the snow-covered mountains to the east. They glowed red and orange against the icy, cloudless sky, clothed, for a moment, in the glory of the dying day; and he wondered if he would ever forget what he saw. The feeling was the same he had felt looking out the back window of a jeep, watching the word Mabuhay fade into the distance.
He remembered now how it happened two months before he left and he often wondered if he would have ever known, had it happened after he was gone. The news reached him as soon as they saw him approaching the barrio.
“Chuck, he’s not here, your friend,” a voice called to him from a nearby doorstep.
Something in the man’s voice worried him and he stopped his bike. “Who do you mean?”
“Lito Arsiga, oh,” he said, pointing with his lips.
“What happened?”
“He had a fit. The police took him.”
“Why did they take him?”
“I told you he had a fit,” the man said and walked back into his house.
He should have pedaled hard but instead he rode slowly, watching the rice fields pass between the houses, green and full of life. He saw Josie first, sitting in the kubo, crying softly. One side of it was in pieces, a few shattered pieces of bamboo clinging to the half still standing. The walls of the house, which were thatched, had been similarly destroyed in one corner and he could see rice cooking on the fire inside.
When she saw him, she began to sob. He did not know what to do until she walked up and wrapped her arms around him; he embraced her not knowing everything, just that she needed something to hold on to.
“He’s gone,” she said between sobs, “They didn’t make it to the jail and he was dead already.”
Then Chuck held her and cried with her until neither of them had strength to make tears.
“I went to Angeles to buy more pantinda,” she told him later inside the house, “and his friend from Capas came while I was gone and got him to drink. He really doesn’t drink, Chuck. I don’t let him. His mind is simple but when he is drunk, he is made angry by the smallest things. Last night he became angry at his friend and they fought. His friend was able to get away but Lito attacked the kubo and our house with a machete until the police came. The neighbors say the police could not stop him so they hit him in the head.”
“Where are the children?” he almost asked but then he saw them sitting up on their bamboo bed, their hair still tussled from the sleep they didn’t get last night. He looked into their round brown eyes until he couldn’t anymore.
At the funeral they had a picture of Lito placed above the casket. It was from their wedding, back when he still had all his teeth. The smile was the same, though, and Doctor Hansen now knew it for what it really was: the smile of a child.

The sunset on the mountains had faded, and he looked at his watch, pocketed his cellphone and exited the car. He stopped in the lobby and asked Martha if they had any appointments for the coming week. She was to cancel all of them. I just need a break, he told her, and it’s not as if any of them are sick. He passed quickly into the room at the end of the hall and explained to Mrs. Fairhill that unexpected complications had surfaced.
“I’ve re-examined your ultrasound and you’re farther along than I thought,” he said, as he removed the dilator, “We’ll have to do another evaluation. It might be too late.”
At first she seemed confused, then her eyes cleared and she looked straight into him and saw what he meant. “Thank you, Doctor,” she said softly.
He would not see her again.